Anything, akzidenz-Grotesk’s hot metallic type own family included fonts made a range of foundries to barely one-of-a-kind designs. As tested with the aid of the same font metrics when the serifs are eliminated. The layout idea of akzidenz grotesk comes from walbaum or Didot. It turned into every now and then offered as fashionable or basic commercial in America. The word akzidenz means a ‘trade’ kind for business use. Its design impact many later designs, particularly many neo-gruesome typefaces released after 1950. It might be best if you explained what you expected to achieve by declaring the font.Akzidenz-grotesk is one of the first sans-serif typefaces to be broadly used.
Using a font weight like 300 makes sense only if you expect the font family to contain, in the computers of your visitors, a typeface with weight 300, or with some other weight smaller than normal (400). I wonder why you would use serif as a fallback for a font that is a sans-serif font even by its name, or why you would use a very large line height for it. Trying different spellings, like Akzidenz Grotesk, might have an impact. Repeating the same name, or writing it first with and then without quotation marks, does not help. Besides, font names are protected as trade marks only as far as commercial distribution is considered, so there might be free fonts under a name like “Akzident Grotesk” that have no resemblance to the font you have in your mind. However, most computers in the world have no such font. These values can be determined using the DTL OTMaster Light program, provided of course that you have font available in your computer. They can be found in the name table of the font as corresponding to nameID values 4 or 6.
The name to be used in the font-family value is either the full name of the font or the PostScript name.
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